currently building a studio for AI-native creative production, and three bets that rhyme with it.
writing The Understory, quiet essays on identity, intimacy, and the invisible systems underneath everyday life.
and arguing in public about where the value in AI actually lands, and what it does to people when it gets there.
I build systems, and I study how beliefs form. I write to figure out which is which.
Every product I have built is a hypothesis about how a belief forms or shifts. Ad creative is belief formation at six seconds. A market thesis is belief formation at the scale of capital. A children's story is belief formation before you have any defenses against it. A compliance layer is a system deciding what an agent is allowed to believe it can do. Different rooms, one house.
The theses below are where I think that goes. The frameworks are what I have managed to make reusable. The essays are the part with nothing to sell at the end of it.
why i love building
I grew up with a disability, and the thing about that is it turns the very next day into a question.
Not the distant future. The next morning. Ordinary things other kids never had to think about, I had to plan for in advance. There was a low, constant uncertainty running underneath everything, a sense that the ground could shift, that what I could rely on today I might not be able to rely on tomorrow. Reality, up close, was heavy. And when you are small and reality is that heavy, you go looking for somewhere to stand where it weighs less.
I found that place by thinking big. Scale was my escape hatch. If I zoomed out far enough, the problem waiting for me the next day got smaller. Ambition was never really about status or money. It was about altitude. From high enough up, the thing I was dreading turned into one small feature of a much larger landscape, and I could finally breathe. altitude is the word i have for it now. at the time it just felt like daydreaming with unusual stamina.
So of course I became someone who builds. Building let me stay in that zoomed-out place and do something with it. You think at the size of your imagination, and then, slowly, you recreate a piece of the world at that size. For someone whose close-up reality was so different from the one he wanted, that is not a career choice. That is oxygen.
And here is the irony I still laugh at. To escape uncertainty, I ran straight into the most uncertain thing a person can choose. But it turns out there are two kinds of uncertainty, and they are nothing alike. There is the kind that happens to you, that you never chose, that just sits on your chest. And there is the kind you walk into on purpose, because the not-knowing is the fun of it. I spent my childhood inside the first kind. Building is how I get to spend the rest of my life inside the second. most of this site is downstream of that one distinction.
If you want to hear what I'm building, writing, and thinking about roughly once a month, subscribe to The Understory. One list, no funnel.
Also: I read prediction markets the way some people read poetry, and I keep a running note of every belief I've changed my mind about and what changed it. It is the most embarrassing document I own.